This richly written novel is striking in a dozen ways: there are
sentences that fly in startling, vivid directions; there's a
willingness to go deeply into a character's feelings; and there's a
palpable atmosphere that the reader quickly and completely trusts.
Goodwin (Kin, 1975) lacks only one thing here: a center - and he
almost gets away without needing one. Steadman, a law-school
dropout and aspiring writer, moves with wife Anna and daughter
Maggie out of the city, on monies from a trust, to a rustic house
in the Virginia Blue Ridge country. A college friend of Steadman's
farms nearby; otherwise life is strange and cut-off for the new
arrivals in Zion County. Steadman means to start writing seriously,
and Anna would like to take up her drawing again. But both of them
are so self-conscious and so subject to the "whimwhams" of anxiety
- sensual doubters non pareil - that a year rolls over them before
they know it. Anna is a twin, and when her minutes - older sister
Kay comes for a visit, matters take a tremendous jolt; neurotic,
self-destructive, and druggy, Kay intrudes into a setup that's
already fragile enough. An appearance of a band of rabid foxes
(shades of Lawrence) makes the symbolic point, and Goodwin falls
prey to stock scenes: the obligatory trout-fishing, a party at the
local hippie commune. (Even these, however, are lifted into relief
by sometimes tremendous prose akin to that of John Casey's An
American Romance.) Finally, Steadman and Anna bestow more a sense
of their fuzziness than their outlines: we see their numbness, then
their edginess, but we never have a sense of them that transcends
symptoms. Breathtaking textures, lacking in definition; the
half-satisfaction may, however, suffice. (Kirkus Reviews)
Stephen Goodwin's second novel is an emblematic tale of the
sixties, of a sophisticated couple going back to the land. The
restlessness that compels Anna and Steadman to move from the city
to a small mountain farm in Virginia is brought into high relief by
the cycles of the natural world, and by the arrival of Anna's
demonic twin sister. Goodwin's prose, by turns stark and pastoral,
outlines these struggles while leavening them with self-effacing
humor and beauty. Peopled with hippies and mountain folk, artists
and farmers both organic and traditional, not to mention an
unforgettable child, The Blood of Paradise evokes an era through a
sensitive and unstinting portrait of marriage.
General
Imprint: |
University of Virginia Press
|
Country of origin: |
United States |
Series: |
Virginia Bookshelf |
Release date: |
May 2000 |
First published: |
May 2000 |
Authors: |
Stephen Goodwin
|
Preface by: |
Richard Bausch
|
Dimensions: |
229 x 152 x 15mm (L x W x T) |
Format: |
Paperback
|
Pages: |
242 |
Edition: |
Univ PR of Virginia ed. |
ISBN-13: |
978-0-8139-1877-8 |
Categories: |
Books >
Fiction >
General & literary fiction >
Modern fiction
|
LSN: |
0-8139-1877-4 |
Barcode: |
9780813918778 |
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