"With wide-ranging erudition, bold philosophical insight, and a
vibrant aesthetic sensibility, Stephen Halliwell demonstrates that
the ancient Greek tradition of arguing about mimesis is not the
crude and single-minded defense of literal copying that many have
seen in it. It is, rather, a highly complex tradition of debate and
contestation, in which questions of foundational importance about
artistic meaning are repeatedly confronted. Moving with graceful
assurance from Plato and Aristotle to contemporary reworkings of
the tradition by Brecht and Adorno, Barthes and Derrida, Halliwell
shows us the depth and fertility of classical arguments. A stunning
achievement, which will define the subject for many
generations."--Martha C. Nussbaum, The University of Chicago
"Halliwell addresses central topics in the history of aesthetics
with continuing echoes in current debates. The scholarship is
impeccable, the writing is clear, the histories are illuminating,
the theoretical views are intriguing, and the scope is most
impressive. I do not know of any comparable book that succeeds at
combining scholarship with history and original thought."--Cynthia
Freeland, University of Houston
"We have not seen a comprehensive study of the classical
concepts of mimesis, nor has anyone shown the place of mimesis in
the history of aesthetics, nor has anyone argued generally for the
usefulness of the concept to contemporary theory. Art and
philosophy in the twentieth century were hostile to the idea that
art is mimesis, and ancient Greek theories have seemed quaint to
modern eyes. Halliwell may, through this book, be on the cutting
edge of a revolution in thinking."--Paul Woodruff, University of
Texas, Austin
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!