This is a book on the best known of the Weill-Brecht collaborations
which explores the extent and significance of the composer's
contribution. After a detailed reconstruction of the work's genesis
and continued revision over three decades, Stephen Hinton examines
the spin-offs on which Weill and Brecht participated: the
instrumental suite, the film, the lawsuit, the novel, and the
musical and textual revisions of songs. In a survey of the stage
history, Hinton pays particular attention to pioneering productions
in Germany and Great Britain. Kim Kowalke provides an exhaustive
account of the history of The Threepenny Opera in America, Geoffrey
Abbott addresses questions concerning authentic performance
practice, and David Drew analyses large-scale motivic relationships
in the music. Among the earliest writings on the work reprinted
here, those by Theodor W. Adorno, Ernst Bloch and Walter Benjamin
appear for the first time in English translation. The book contains
numerous illustrations, a discography, and music examples.
General
Imprint: |
Cambridge UniversityPress
|
Country of origin: |
United Kingdom |
Release date: |
July 1990 |
First published: |
1990 |
Editors: |
Stephen Hinton
|
Dimensions: |
140 x 214 x 23mm (L x W x T) |
Format: |
Book
|
Pages: |
248 |
Edition: |
New |
ISBN-13: |
978-0-521-33888-2 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Theatre, drama >
Opera
|
LSN: |
0-521-33888-3 |
Barcode: |
9780521338882 |
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