Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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The Invention of Shakespeare, and Other Essays (Hardcover)
Loot Price: R1,370
Discovery Miles 13 700
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The Invention of Shakespeare, and Other Essays (Hardcover)
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In his own time, Shakespeare was not a monument, but a man of the
theater whose plays were less finished artifacts than works in
process. In contrast to a book, a thing we have come to think of as
final and achieved, a play is a work for performance, with each
performance based only in part on a text we call a script. That
script may well have had imperfections that the actors may or may
not have noticed as they turned it into a performance. There were
multiple versions of the scripts and never a "final" one. Every
revival of a play-indeed, every subsequent performance-was and
always will be different. Nevertheless, when we study Shakespeare,
we are likely to come to him via printed texts that are scripts
masquerading as books, and the impulse is to turn them into
finished artifacts worthy of their author's dignity. In The
Invention of Shakespeare, and Other Essays Stephen Orgel brings
together twelve essays that consider the complex nature of
Shakespearean texts, which often include errors or confusions, and
the editorial and interpretive strategies for dealing with them in
commentary or performance. "There is always some underlying claim
that we are getting back to 'what Shakespeare actually wrote,'"
Orgel writes, "but obviously that is not true: we clarify, we
modernize, we undo muddles, we correct or explain (or explain away)
errors, all in the interests of getting a clear, readable,
unproblematic text. In short, we produce the text that we want him
to, or think he must have written. But one thing we really do know
about Shakespeare's original text is that it was hard to read."
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