Stephen Poliakoff 'has been one of our sharpest and least
predictable writers for the past twenty years' (Daily Telegraph)
Broadcasting House, London, in the late 1930s. With war in Europe
looming on the horizon, in light entertainment radio there is the
bizarre spectacle of costumed singers and dancers performing live
in a medium where they can only be heard and not seen. Robbie, the
mercurial Master of Ceremonies of the popular 'Friday Night at
Eight', has a playful and devious imagination. Together with radio
producer Clive the two hatch a dangerous and subversive new form of
radio broadcast to bring home to listeners the sinister truth of
the devastating storm rumbling in Europe.
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