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Finishing the Hat - Collected Lyrics (1954-1981) with Attendant Comments, Principles, Heresies, Grudges, Whines and Anecdotes (Hardcover)
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Finishing the Hat - Collected Lyrics (1954-1981) with Attendant Comments, Principles, Heresies, Grudges, Whines and Anecdotes (Hardcover)
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Stephen Sondheim has won seven Tonys, an Academy Award, seven
Grammys, a Pulitzer Prize and the Kennedy Center Honors. His career
has spanned more than half a century, his lyrics have become
synonymous with musical theater and popular culture, and in
"Finishing the Hat"--titled after perhaps his most autobiographical
song, from "Sunday in the Park with George"--Sondheim has not only
collected his lyrics for the first time, he is giving readers a
rare personal look into his life as well as his remarkable
productions.
Along with the lyrics for all of his musicals from 1954 to
1981--including "West Side Story, Company, Follies, A Little Night
Music" and "Sweeney Todd"--Sondheim treats us to
never-before-published songs from each show, songs that were cut or
discarded before seeing the light of day. He discusses his
relationship with his mentor, Oscar Hammerstein II, and his
collaborations with extraordinary talents such as Leonard
Bernstein, Arthur Laurents, Ethel Merman, Richard Rodgers, Angela
Lansbury, Harold Prince and a panoply of others. The
anecdotes--filled with history, pointed observations and intimate
details--transport us back to a time when theater was a major
pillar of American culture. Best of all, Sondheim appraises his
work and dissects his lyrics, as well as those of others, offering
unparalleled insights into songwriting that will be studied by fans
and aspiring songwriters for years to come.
Accompanying Sondheim's sparkling writing are behind-the-scenes
photographs from each production, along with handwritten music and
lyrics from the songwriter's personal collection.
Penetrating and surprising, poignant, funny and sometimes
provocative, "Finishing the Hat" is not only an informative look at
the art and craft of lyric writing, it is a history of the theater
that belongs on the same literary shelf as Moss Hart's "Act One"
and Arthur Miller's "Timebends." It is also a book that will leave
you humming the final bars of "Merrily We Roll Along, " while
eagerly anticipating the next volume, which begins with the opening
lines of "Sunday in the Park with George."
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