The fifties marks the moment when a heterosexual/homosexual
dualism came to dominate U.S. culture s thinking about masculinity.
The films of this era record how gender and sexuality did not
easily come together in a normative manhood common to American men.
Instead these films demonstrate the widely held perception of a
crises of masculinity. Masked Men documents how movies of the
fifties represented masculinity as a multiple masquerade. Hollywood
s star system positioned the male actor as a professional performer
and as a body intended to solicit the erotic interest of male and
female viewers alike. Drawing on publicity, poster art, fan
magazines, and the popular press as a means of following the links
between fifties stars, their films, and the social tensions of the
period, Cohan juxtaposes Hollywood s narratives of masculinity
against the personae of leading men like Cary Grant, Humphrey
Bogart, John Wayne, Charlton Heston, Yul Brynner, William Holden,
Montgomery Clift, Marlon Brando, and Rock Hudson. Masked Men
focuses on the gender and sexual masquerades that organized their
performances of masculinity on and off screen."
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