Critics of "Piers Plowman" have often behaved as if the great
fourteenth-century English poem were written by committee, "Written
Work" marks a major shift in orientation by focusing on William
Langland instead of "Piers Plowman."The five original historicist
studies collected here are less concerned with searching for
Langland's identity in medieval records than with examining the
marks, even scars, left on him by the history he touched. Derek
Pearsall studies what Langland knew about London--its geography,
economics, and social life--and the way his focus on the city
shifted in the course of revising the poem. Kathryn Kerby-Fulton
examines the conditions for authorship and publishing in late
fourteenth-century England and uncovers evidence of Langland's
struggles to attract patronage and maintain control over the text
and circulation of Piers. Anne Middleton's stunning chapter
explores how the long shadow of fourteenth-century labor laws fell
across Langland as he reworked his text. Ralph Hanna III examines
the conflicting demands of manual and intellectual labor on the
poet, while Lawrence M. Clopper uncovers the deep impressions that
contemporary controversies about Franciscan poverty made on
Langland and his life-work. Each of the chapters unfolds from
Langland's apologia, the extraordinary autobiographical passage
unique to the last of the three distinct versions of "Piers
Plowman" that have come down to us.
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