This core teaching text provides a thorough overview of the
recently emerged field of transnational film studies. Covering a
range of approaches to analysing films about migrant,
cross-cultural and cross-border experience, Steven Rawle
demonstrates how film production has moved beyond clear national
boundaries to become a product of border crossing finance and
creative personnel. This comprehensive introduction brings together
the key concepts and theories of transnational cinema, including
genre, remakes, diasporic and exilic cinema, and the limits of
thinking about cinema as a particularly national cultural artefact.
It is an excellent course companion for undergraduate students of
film, cinema, media and cultural studies studying transnational and
global cinema, and provides both students and lovers of film alike
with a strong grounding in this timely field of film studies.
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