This collection charts the terrain of contemporary Japanese
animation, one of the most explosive forms of visual culture to
emerge at the crossroads of transnational cultural production in
the last twenty-five years. The essays offer bold and insightful
engagement with anime's concerns with gender identity, anxieties
about body mutation and technological monstrosity, and apocalyptic
fantasies of the end of history. The contributors dismantle the
distinction between 'high' and 'low' culture and offer compelling
arguments for the value and importance of the study of anime and
popular culture as a key link in the translation from the local to
the global.
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