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Scandal And Aftereffect - Blanchot and France since 1930 (Paperback, New)
Loot Price: R586
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Scandal And Aftereffect - Blanchot and France since 1930 (Paperback, New)
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List price R644
Loot Price R586
Discovery Miles 5 860
You Save R58 (9%)
Expected to ship within 12 - 17 working days
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Maurice Blanchot managed after World War II to become a key cult
figure of the literary world, though he was known by contemporaries
in France for his prior involvement in far-rightist politics. How
did this happen? Why have literary critics, as in the case of
Martin Heidegger and Paul de Man, chosen to ignore or suppress
Blanchot's right-wing interwar and wartime writings, focusing
instead on his postwar production? "Scandals and Aftereffect"
provides an enlightening and provocative examination of these
questions, as Stevan Ungar looks at 100 articles published under
Blanchot's signature between 1932 and 1937 in such right-wing
publications as: "Combat, La Revue Francaise, Reaction, La Revue du
Vingteme Siecle" and "l'Insurge". Using the concept of the
"aftereffect" (developed in psychoanalysis to link the shock of
disclosure to problems of repression), Ungar expands his study to
Blanchot's writings into a broader analysis of cultural, political
and historical amnesia in an attempt to resolve the following
questions: How and when does critical understanding of the past
develop when control over the memory of a specific period is
contested among those who lived it and those whose access to it
depends on the accounts of others? Why have historical accounts of
the recent past become increasingly open to question and revision?
How structural is this process, or is it purely peculiar to wartime
periods and therefore tied to the nature of contemporary historical
experiences? Addressing problems of method related to the
convergence of interests among historians and literary scholars,
Ungar includes an overview of current debates surrounding the
contested memories of Vichy, the Holocaust, and World War II.
"Scandal and Aftereffect" should make a crucial contribution to
current debates about the function of memory in the relationship of
history to cultural production and about the history of history
itself.
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