How do we write about magic? Responding to a renewed interest in
the history of the occult, this volume examines the role of magic
in a series of methodological controversies in the humanities. In
case studies ranging from the 'necromancy' of historiography to the
strident rationalism of the 'New Atheism,' Magical Thinking sets
out the surprising ways in which scholars and critics have imagined
the occult. The volume argues that thinking and writing about magic
has engendered multiple epistemological crises, profoundly
unsettling the understanding of history and knowledge in Western
culture. By examining how scholarly writing has contended and
conspired with discourses of enchantment, the book reveals the
implications of magic - and its scholarship - for intellectual
history.
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