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Virtuosity of the Nineteenth Century - Performing Music and Language in Heine, Liszt, and Baudelaire (Paperback)
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Virtuosity of the Nineteenth Century - Performing Music and Language in Heine, Liszt, and Baudelaire (Paperback)
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A study of the reflexive relationship between music and language in
the nineteenth century, this book maintains a discrete historical
focus while drawing upon an aesthetic going back to problems of
epic delivery in ancient Greece. Reading Romantic reactions to
music together with linguistic and economic conflicts brought about
by the rise of journalism, the book pursues the tension around
performativity that both connects and separates music and writing.
Franz Liszt is the organizing figure in this detailed study of
music in Heine and Baudelaire. The acclaimed virtuoso functions
both as a metaphor for a musical mode of enunciation and as a
historical referent. This dual status dramatizes the struggle at
the heart of nineteenth-century aesthetics between poetic
self-reference and realism's efforts to report the world
accurately. Debates surrounding Liszt pinpoint the conflict between
the view that locates sense in the process of its production and
the contrary judgment privileging a stable meaning over the
exteriority of its execution. This dualism also articulates the
problematic relationship of the individual to general social and
linguistic structures.
The book's analyses of nineteenth-century theories of
correspondence, along with the thematization of the "other arts,"
point to the limitations of analogy, the impossibility of a general
theory of art, and a crisis of identity--that is, a shared
non-identity--that can be the only common property among different
discourses, genres, and media. "Virtuosity of the Nineteenth
Century" offers a fresh reading of relatively marginal texts by
canonical figures, addressing questions about the relation between
the arts, the possibility of critical description, and the function
of performativity.
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