The first comprehensive overview of Jasper Johns's work in an
innovative medium that the artist has singlehandedly redefined over
the course of four decades Jasper Johns (b. 1930) is arguably the
most important living American artist, and his work is central to
any history of postwar art. With extensive new scholarship based on
original research and interviews with the artist, Jasper Johns:
Catalogue Raisonne of Monotypes provides the definitive account of
his groundbreaking work in an intrinsically subversive medium
situated between painting, drawing, and printmaking. Susan
Dackerman and Jennifer L. Roberts examine Johns's innovative use of
the printing press to create alterity, overturning monotype's
long-standing reputation for subjectivity. Featured in this volume
are all 143 monotypes Johns made between 1954 and June 2015, most
of them published here for the first time. Each work is generously
illustrated in color and accompanied by complete cataloguing
information, including technical specifications, provenance,
exhibition history, and bibliographic references.
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