This study reclaims a lost body of theatrical work by focusing
on four labor plays of the 1930s. These works dramatize union
organizing efforts in American industry, using documentary detail
in the dialogue and plot. To date, little attention has been given
to the use of documentary detail in American scripts. Placing the
labor plays in a social and historical context, Duffy raises
interesting questions about the depiction of women as labor leaders
and the overlooked role of women playwrights in the 1920s and 30s.
The discussion focuses on the function of the plays and the
question of whether they were merely didactic or if they served
greater propagandistic ends. This work will be of interest to
scholars in theatre history, American studies, southern history,
and American labor history.
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