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The Feminine Dynamic in English Art, 1485-1603 - Women as Consumers, Patrons and Painters (Paperback)
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The Feminine Dynamic in English Art, 1485-1603 - Women as Consumers, Patrons and Painters (Paperback)
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A significant contribution to the understanding of
sixteenth-century English art in an historical context, this study
by Susan James represents an intensive rethinking and restructuring
of the Tudor art world based on a broad, detailed survey of women's
diverse creative roles within that world. Through an extensive
analysis of original documents, James examines and clarifies many
of the misperceptions upon which modern discussions of Tudor art
are based. The new evidence she lays out allows for a fresh
investigation of the economics of art production, particularly in
the images of Elizabeth I; of strategies for influencing political
situations by carefully planned programs of portraiture; of the
seminal importance of extended clans of immigrant Flemish artists
and of careers of artists Susanna Horenboult and Lievine Teerlinc
and their impact on the development of the portrait miniature.
Drawn principally from primary sources, this book presents
important new research which examines the contributions of Tudor
women in the formation, distribution and popularization of the
visual arts, particularly portraiture and the portrait miniature.
James highlights the involvement of women as patrons, consumers and
creators of art in sixteenth-century England and their use of the
painted image as a statement of cultural worth. She explores and
analyzes the amount of time, money, effort and ingenuity which
women across all social classes invested in the development of art,
in the uses they found for it, and the surprising and unexpected
ways in which they exploited it.
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