"An engaging interdisciplinary study.... Felleman's astute,
insightful, very smart analyses forge a series of fascinating
links."-- Brigitte Peucker, Professor of Film, Yale University
Bringing an art historical perspective to the realm of American
and European film, Art in the Cinematic Imagination examines the
ways in which films have used works of art and artists themselves
as cinematic and narrative motifs. From the use of portraits in
Vertigo to the cinematic depiction of women artists in Artemisia
and Camille Claudel, Susan Felleman incorporates feminist and
psychoanalytic criticism to reveal individual and collective
perspectives on sex, gender, identity, commerce, and class.
Probing more than twenty films from the postwar era through
contemporary times, Art in the Cinematic Imagination considers a
range of structurally significant art objects, artist characters,
and art-world settings to explore how the medium of film can
amplify, reinvent, or recontextualize the other visual arts.
Fluently speaking across disciplines, Felleman's study brings a
broad array of methodologies to bear on questions such as the
evolution of the "Hollywood Love Goddess" and the pairing of the
feminine with death on screen.
A persuasive approach to an engaging body of films, Art in the
Cinematic Imagination illuminates a compelling and significant
facet of the cinematic experience.
General
Imprint: |
University Of Texas Press
|
Country of origin: |
United States |
Release date: |
2006 |
First published: |
2006 |
Authors: |
Susan Felleman
|
Dimensions: |
229 x 152 x 19mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
213 |
Edition: |
annotated edition |
ISBN-13: |
978-0-292-70941-6 |
Categories: |
Books >
Arts & Architecture >
General
Books >
Social sciences >
General
|
LSN: |
0-292-70941-2 |
Barcode: |
9780292709416 |
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