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Film Ecology - Defending the Biosphere - Doughnut Economics and Film Theory and Practice (Paperback)
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Film Ecology - Defending the Biosphere - Doughnut Economics and Film Theory and Practice (Paperback)
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Using the Regenerative economic model - also known as Doughnut
Economics - Susan Hayward offers a thought-provoking sketch for a
renewed, tentatively revolutionary approach to both film theory and
film practice. This book attempts to answer the questions posed by
T.J. Demos (in Against the Anthropocene, 2017): how do we find a
way to address planetary harm and the issues it raises within the
field of Film Studies? How do we construct a theoretical model that
allows us to visualize the ecological transgressions brought about
by the growth-model of capitalism which is heavily endorsed by
mainstream narrative cinema? By turning to the model set out in
Kate Raworth's book Doughnut Economics (2017) and adapting its
fundamental principles to a study of narrative cinema, Film Ecology
proposes to show how, by using this model, we can usefully plot and
investigate films according to criteria that are not
genre/star/auteur-led, nor indeed embedded in anthropocentric
theoretical models, but principles which are ecologically based.
These arguments are brought to life with examples from mainstream
narrative films such as The Giant (1956), Mildred Pierce (1945),
Erin Brockovich (2000), Wall Street (1987), Hotel Rwanda (2004),
and Missing Figures (2016). This approach will inspire film
practitioners, film theorists, critics and analysts, film students
and film lovers alike to consider how they might integrate this
Doughnut model into their thinking or work as part of their
process.
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