Although the names Mandel'shtam and Nijinsky more commonly evoke
the Russian poet and the ballet dancer, their wives, Nadezhda and
Romola are also beginning to attract attention. Similarly, the
lives and works of Simone de Beauvoir, Lou Andreas-Salome, Asja
Lacis, and Maitreyi Devi all have been represented as having been
dominated by their association with some of the most important men
of Western letters, but they too are coming into their own. These
six women all wrote the stories of their own lives, creating
powerful narratives that channelled cultural forces at the same
time as parrying them. Susan Ingram analyzes the literary,
cultural, and ethical effects of these writers whose lives were
intertwined with the cultural vibrations of their time, and who
heralded the postmodern in having to negotiate their subject
positions in the form of a relational autonomy, an ethical sense of
alterity, and a strong desire to make an intervention in the
cultures of their times.
Interdisciplinary in approach, this study brings together
scholarship on auto/biography, post/modernity, ethics, identity,
and relationality, and makes available material from a variety of
languages, some of which appears in English for the first time. In
relating the life-stories of six remarkable women to the
increasingly popular genre of academic personal criticism, Ingram
concludes that the ambiguous, problematic way these women represent
their autonomy encourages us to read such academic criticism with
attention to the way it represents and often blurs personal and
collective identity.
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