View the Table of Contents.
Read the Introduction.
"Offers the most insightful and significant scholarly analysis
to date of the changes taking place in the economic "globalization"
of television production. A delight to read, laced with wit and
humor."--"Choice"
"Since reality television began to flood TV screens, we've had
to deal with another phenomenon: a renewed debate about what is
'fun' versus what is 'good for you.' The essays in this volume
enlighten that discussion and take us beyond it. They provide both
the record of a strange moment in history and a contribution to
contemporary cultural politics."
--Toby Miller, editor of "Television & New Media"
"The book explores the genre's institutional and sociopolitical
development, its place in the cultural landscape, and how it serves
as a source of meaning and pleasure."
--"NYU Today"
"Survivor," "The Bachelor," "Extreme Makeover," "Big Brother,"
"Joe Millionaire," "American Idol," "The Osbournes," It is
virtually impossible to turn on a television without coming across
some sort of reality programming. Yet, while this genre has rapidly
moved from the fringes of television culture to its lucrative core,
critical attention has not kept pace.
Beginning by unearthing its historical roots in early reality
shows like "Candid Camera" and wending its way through "An American
Family," "Cops," and "The Real World" to the most recent crop of
reality programs, Reality TV is the first book to address the
economic, visual, cultural, and audience dimensions of reality
television. The essays provide a complex and comprehensive picture
of how and why this genre emerged, what it means, how it differs
from earliertelevision programming, and how it engages societies,
industries, and individuals. Topics range from the construction of
televisual "reality" to the changing face of criminal violence on
TV, to issues of surveillance, taste, and social control.
By spanning reality television's origins in the late 1940s to
its current overwhelming popularity, Reality TV demonstrates both
the tenacity of the format and its enduring ability to speak to our
changing political and social desires and anxieties.
Contributors include: Nick Couldry, Mary Beth Haralovich, John
Hartley, Chuck Kleinhans, Derek Kompare, Jon Kraszewski, Kathleen
LeBesco, Justin Lewis, Ted Magder, Jennifer Maher, Anna McCarthy,
Rick Morris, Chad Raphael, Elayne Rapping, Jeffrey Sconce, Michael
W. Trosset, Pamela Wilson.
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