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Verdi, Opera, Women - Cambridge Studies in Opera (Book)
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Verdi, Opera, Women - Cambridge Studies in Opera (Book)
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Verdi's operas - composed between 1839 and 1893 - portray a
striking diversity of female protagonists: warrior women and
peacemakers, virgins and courtesans, princesses and slaves, witches
and gypsies, mothers and daughters, erring and idealised wives,
and, last of all, a feisty quartet of Tudor townswomen in Verdi's
final opera, Falstaff. Yet what meanings did the impassioned crises
and dilemmas of these characters hold for the nineteenth-century
female spectator, especially during such a turbulent span in the
history of the Italian peninsula? How was opera shaped by society -
and was society similarly influenced by opera? Contextualising
Verdi's female roles within aspects of women's social, cultural and
political history, Susan Rutherford explores the interface between
the reality of the spectators' lives and the imaginary of the
fictional world before them on the operatic stage.
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