Susan Sontag's third essay collection brings together her most
important critical writing from 1972 to 1980. In these provocative
and hugely influential works she explores some of the most
controversial artists and thinkers of our time, including her
now-famous polemic against Hitler's favourite film-maker, Leni
Riefenstahl, and the cult of fascist art, as well as a dazzling
analysis of Hans-Jurgen Syberberg's Hitler, a Film from Germany.
There are also highly personal and powerful explorations of death,
art, language, history, the imagination and writing itself.
General
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