Focusing on Politics, Gender, and Identities, a group of
international dance scholars provide a broad overview of new
methodological approaches - with specific case studies - and how
they can be applied to the study of ballet and modern dance.
With an introduction exploring the history of dance studies and
the development of central themes and areas of concerns in the
field, the book is then divided into three parts:
- politics explores 'Ausdruckstanz' - an expressive dance
tradition first formulated in the 1920s by dancer Mary Wigman and
carried forward in the work of Pina Bausch and others
- gender examines eighteenth century theatrical dance - a time
when elaborate sets, costumes, and plots examined racial and sexual
stereotypes
- identity is concerned with modern dance.
Exploring contemporary analytical approaches to understanding
performance traditions, Dance Discourses' pedagogical structure
makes it ideal for courses in performing arts and humanities.
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