The tale of the onstage fight between prima donnas Francesca
Cuzzoni and Faustina Bordoni is notorious, appearing in music
histories to this day, but it is a fiction. Starting from this
misunderstanding, The Rival Sirens suggests that the rivalry
fostered between the singers in 1720s London was in large part a
social construction, one conditioned by local theatrical context
and audience expectations, and heightened by manipulations of plot
and music. This book offers readings of operas by Handel and
Bononcini as performance events, inflected by the audience's
perceptions of singer persona and contemporary theatrical and
cultural contexts. Through examining the case of these two women,
Suzanne Aspden demonstrates that the personae of star performers,
as well as their voices, were of crucial importance in determining
the shape of an opera during the early part of the eighteenth
century.
General
Imprint: |
Cambridge UniversityPress
|
Country of origin: |
United Kingdom |
Release date: |
April 2013 |
First published: |
May 2013 |
Authors: |
Suzanne Aspden
|
Dimensions: |
183 x 245 x 26mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
308 |
Edition: |
New |
ISBN-13: |
978-1-107-03337-5 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Theatre, drama >
Opera
|
LSN: |
1-107-03337-3 |
Barcode: |
9781107033375 |
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