What do we mean by the term "animation" when we are discussing
film? Is it a technique? A style? A way of seeing or experiencing
"a world" that has little relation to our own lived experience of
"the world"? In Animated Worlds, contributors reveal the
astonishing variety of "worlds" animation confronts us with. Essays
range from close film analyses to phenomenological and cognitive
approaches, spectatorship, performance, literary theory, and
digital aesthetics. Authors include Vivian Sobchack, Richard Weihe,
Thomas Lamarre, Paul Wells, and Karin Wehn.
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