taken specially for Conran Octopus by S, mon Lee: 5 top. 22-23. 29
below. 30-31. 43 I: CHINA 23 above. 53 left. 58. 71 We would like
to thank the following for their cooperation: The Conran Shop
Design Museum Rosenthal Sasaki Every effort has been made to trace
the copyright holders and we apologize In advance for any 2:
METALWARE 37 unintentional omission and would be pleased to Insert
the appropriate acknowledgment In any subsequent edition of thIS
publication. AUTHORS' ACKNOWLEDGMENTS The authors wish to thank all
those manufacturers and designers 3: GLASS 49 who answered queries
and searched through their archives. the supportive and
professional staff at Conran Octopus and Sir Terence Conran for his
personal interest and guidance. NOTE TO READER Names of objects and
deSigners printed In roman or bold type denote that a photograph of
the 4: CUTLERY AND object or a biography of the designer can be
found elsewhere in PLASTICS 61 the book. BIOGRAPHIES 72 INDEX 80 6
TABLEWARE THE SIGNIFICANCE OF TABLEWARE DESIGN The way we eat and
entertain, and the objects we put on our tables relate to the most
fundamental cultural rituals of our society. Over centuries the
rite of dining has evolved into a complex social activity in which
rules are obeyed and customs observed. Table manners and table
objects say a lot about us - the cultures to which we belong, the
economic systems to which we adhere and our sense of our own style
and status."
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!
Welcome to Loot.co.za!
Sign in / Register |Wishlists & Gift Vouchers |Help | Advanced search
