Taking up topics as diverse and timely as the work of FBI
profilers, the pornography debates, feminist analyses of male
supremacy as sexual abuse, the ritual meanings of fraternity gang
rape, and the interplay of racial and sexual injustice, T. Walter
Herbert illuminates the chronic masculine anxieties that seek
compensation in fantasies of sexual coercion and in sexual offenses
against women. His work offers an unusually clear view of this
prevailing convention of insecure and destructive masculinity,
which Herbert connects with contemporary analyses of male identity
formation, sexuality, and violence and with cultural, political,
and ideological developments reaching back to the nation's
democratic beginnings.
Reading iconic nineteenth-century texts by Whitman, Hawthorne,
and Stowe, and pursuing the articulation of their gender logic in
Richard Wright's "Native Son," Herbert traces a gender ideology of
dominance and submission, its persistence in masculine subcultures
like the military and big-time football, and its debilitating
effects on imaginations and lives in our own day. In materials as
diverse as Hannah Foster's post-Revolutionary War novel "The
Coquette" and the Coen brothers' 1996 movie "Fargo," this book taps
into popular culture and high art alike to outline the logic of
American manhood's violent streak--and its dire consequences for a
culture with truly democratic and egalitarian ambitions.
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