In "Rebels, Wives, Saints," acclaimed scholar Tanika Sarkar
continues her revolutionary scholarship on women, religion, and
nationhood in colonial Bengal. The colonial universe Sarkar
describes in "Rebels, Wives, Saints" centers around symbols of
women as both defiled and deified, exemplified in the idea of woman
as widow and woman as goddess. The nation, Sarkar explains, is
imagined as a woman-goddess within a country comprising plural
cultural traditions. Sarkar also broadens the discussion to
consider male reformers who battle Hindu conservatives, a Hindu
novelist who idealizes nationalism as a means for overcoming Muslim
influence, male-dominant social norms, and theatre and
censorship.
Throughout the book, Sarkar deploys her trademark focus on
small, specific, emotional defining moments in order to arrive at a
larger, compelling picture that reveals how people actually feel
and experience life in Bengal.
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