Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Shakespeare's Companies - William Shakespeare's Early Career and the Acting Companies, 1577-1594 (Hardcover, New Ed)
Loot Price: R4,361
Discovery Miles 43 610
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Shakespeare's Companies - William Shakespeare's Early Career and the Acting Companies, 1577-1594 (Hardcover, New Ed)
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Focusing on a period (c.1577-1594) that is often neglected in
Elizabethan theater histories, this study considers Shakespeare's
involvement with the various London acting companies before his
membership in the Lord Chamberlain's Men in 1594. Locating
Shakespeare in the confusing records of the early London theater
scene has long been one of the many unresolved problems in
Shakespeare studies and is a key issue in theatre history,
Shakespeare biography, and historiography. The aim in this book is
to explain, analyze, and assess the competing claims about
Shakespeare's pre-1594 acting company affiliations. Schoone-Jongen
does not demonstrate that one particular claim is correct but
provides a possible framework for Shakespeare's activities in the
1570s and 1580s, an overview of both London and provincial playing,
and then offers a detailed analysis of the historical plausibility
and probability of the warring claims made by biographers, ranging
from the earliest sixteenth-century references to contemporary
arguments. Full chapters are devoted to four specific acting
companies, their activities, and a summary and critique of the
arguments for Shakespeare's involvement in them (The Queen's Men,
Strange's Men, Pembroke's Men, and Sussex's Men), a further chapter
is dedicated to the proposition Shakespeare's first theatrical
involvement was in a recusant Lancashire household, and a final
chapter focuses on arguments for Shakespeare's membership in a half
dozen other companies (most prominently Leicester's Men).
Shakespeare's Companies simultaneously opens up twenty years of
theatrical activity to inquiry and investigation while providing a
critique of Shakespearean biographers and their historical
methodologies.
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