'Mr Hawkes is a good critic, oriented towards history of ideas. He
operates on the formula that Shakespeare was interested in the
available distinctions between discursive and intuitive reason, and
disliked a growing tendency for the first to be thought of as manly
and the second effeminate. One sees how this action-contemplation
polarity works, in Hamlet for instance, and Mr Hawkes thinks the
kind of choices forced on tragic heroes can be better understood in
terms of it.' Frank Kermode, New Statesman. In the seven plays on
which the book concentrates, Terence Hawkes finds Shakespeare
investigating the operation of two opposed forms of reason, and
constructing dramatic metaphors such as the opposition between
appearance and reality, or that between true 'manliness' and its
false counterpart, which express to the full the tragic nature of
the situation.
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