Theo Davis offers a fresh account of the emergence of a national
literature in the United States. Taking American literature's
universalism as an organising force that must be explained rather
than simply exposed, she contends that Emerson, Hawthorne, and
Stowe's often noted investigations of experience are actually based
in a belief that experience is an abstract category governed by
typicality, not the property of the individual subject.
Additionally, these authors locate the form of the literary work in
the domain of abstract experience, projected out of - not embodied
in - the text. After tracing the emergence of these beliefs out of
Scottish common sense philosophy and through early American
literary criticism, Davis analyses how American authors' prose
seeks to work an art of abstract experience. In so doing, she
reconsiders the place of form in modern literary studies.
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