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Philosophy of New Music (Paperback, 1)
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Philosophy of New Music (Paperback, 1)
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An indispensable key to Adorno's influential oeuvre-now in
paperback In 1949, Theodor W. Adorno's Philosophy of New Music was
published, coinciding with the prominent philosopher's return to a
devastated Europe after his exile in the United States. Intensely
polemical from its first publication, every aspect of this work was
met with extreme reactions, from stark dismissal to outrage. Even
Arnold Schoenberg reviled it. Despite the controversy, Philosophy
of New Music became highly regarded and widely read among
musicians, scholars, and social philosophers. Marking a major
turning point in his musicological philosophy, Adorno located a
critique of musical reproduction as internal to composition, rather
than a matter of musical performance. Consisting of two distinct
essays, "Schoenberg and Progress" and "Stravinsky and Reaction,"
Philosophy of New Music poses the musical extremes in which Adorno
perceived the struggle for the cultural future of Europe: between
human emancipation and barbarism, between the compositional
techniques and achievements of Schoenberg and Stravinsky. In this
translation, which is accompanied by an extensive introduction by
distinguished translator Robert Hullot-Kentor, Philosophy of New
Music emerges as an essential guide to the whole of Adorno's
oeuvre.
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