With films such as "Muriel's Wedding" and "The Adventures of
Priscilla, Queen of the Desert" finding recent success in American
theaters, Australian cinema has never been as popular in North
America as it is today. This new study argues that post-1970
Australian film is best described not as exhibiting phenomenal
variety but as focused on a conception of heroism characterized by
the love of freedom, the resentment of authority, and attachment to
the land, along with anti-intellectualism, fatalism, and occasional
sexism. Tracing these themes through one hundred films, Scheckels
explores the ways in which they are reflected through depictions of
men, women, aboriginals, and youth, with each demographic group
posing its own unique generic and cultural questions.
Including films both elite and popular, excellent and flawed,
"Celluloid Heroes Down Under" offers film-by-film discussions in
seven chapters, making the volume both a highly readable study of a
particular cinema and superb reference guide for its readers.
Unlike previous studies of the nation's film output, Sheckels's
work presents its subject not as a miscellaneous collection but as
a focused endeavor, a cohesive and undervalued component of world
cinema.
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