In 1917, Marcel Duchamp sent out a 'telegram' in the guise of a
urinal signed R. Mutt. When it arrived at its destination a good
forty years later it was both celebrated and vilified as
proclaiming that anything could be art; from that point on, the
whole Western art world reconfigured itself as 'post-Duchamp'. This
book offers a reading of Duchamp's telegram that sheds new light
onto its first reception, corrects some historical mistakes and
reveals that Duchamp's urinal in fact heralds the demise of the
fine arts system and the advent of what Thierry de Duve calls the
'Art-in-General' system. Further, the author shows that this new
system does not date from the 1960s but rather from the 1880s.
Duchamp was neither its author nor its agent, but rather its
brilliant messenger.
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