In "The Origins of Comics: From William Hogarth to Winsor
McCay," Thierry Smolderen presents a cultural landscape whose
narrative differs in many ways from those presented by other
historians of the comic strip. Rather than beginning his inquiry
with the popularly accepted "sequential art" definition of the
comic strip, Smolderen instead wishes to engage with the historical
dimensions that inform that definition. His goal is to understand
the processes that led to the twentieth-century comic strip, the
highly recognizable species of picture stories that he sees
crystallizing around 1900 in the United States.
Featuring close readings of the picture stories, caricatures,
and humoristic illustrations of William Hogarth, Rodolphe Topffer,
Gustave Dore, and their many contemporaries, Smolderen establishes
how these artists were immersed in a very old visual culture in
which images--satirical images in particular--were deciphered in a
way that was often described as hieroglyphical. Across eight
chapters, he acutely points out how the effect of the printing
press and the mass advent of audiovisual technologies (photography,
audio recording, and cinema) at the end of the nineteenth century
led to a new twentieth-century visual culture. In tracing this
evolution, Smolderen distinguishes himself from other comics
historians by following a methodology that explains the present
state of the form of comics on the basis of its history, rather
than presenting the history of the form on the basis of its present
state. This study remaps the history of this influential art
form."
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