This book brings together two of the most important figures of
twentieth-century criticism, Walter Benjamin and Theodor Adorno, to
consider a topic that was central to their thinking: the place of
and reason for art in society and culture. Thijs Lijster takes us
through points of agreement and disagreement between the two on
such key topics as the relationship between art and historical
experience, between avant-garde art and mass culture, and between
the intellectual and the public. He also addresses the continuing
relevance of Benjamin and Adorno to ongoing debates in contemporary
aesthetics, such as the end of art, the historical meaning of art,
and the role of the critic.
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