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Electronic and Experimental Music - Technology, Music, and Culture (Paperback, 3rd Edition)
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Electronic and Experimental Music - Technology, Music, and Culture (Paperback, 3rd Edition)
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Electronic and Experimental Music: Technology, Music, and Culture, Sixth Edition, presents an extensive history of electronic music—from its historical beginnings in the late nineteenth century to its everchanging present—recounting the musical ideas that arose in parallel with technological progress. In four parts, the author details the fundamentals of electronic music, its history, the major synthesizer innovators, and contemporary practices. This examination of the music’s experimental roots covers the key composers, genres, and techniques used in analog and digital synthesis, including both art and popular music, Western and non-Western.
New to this edition:
A reorganized and revised chapter structure places technological advances within a historical framework.
Shorter chapters offer greater modularity and flexibility for instructors.
Discussions on the elements of sound, listening to electronic music, electronic music in the mainstream, Eurorack, and more.
An appendix of historically important electronic music studios around the globe.
Listening Guides throughout the book provide step-by-step annotations of key musical works, focusing the development of student listening skills. Featuring extensive revisions and expanded coverage, this sixth edition of Electronic and Experimental Music represents an comprehensive accounting of the technology, musical styles, and figures associated with electronic music, highlighting the music’s deep cultural impact.
Table of Contents
PART 1: ELECTRONIC MUSIC FUNDAMENTALS
1 What Is Electronic Music?
2 Listening to Electronic Music
3 How Electronic Music is Composed
4 Electronic Music Composition by Process
5 The Physics of Musical Sound
6 Analog and Digital Synthesis Basics
7 Computer Music Basics
8 Tape Composition and Sound Editing
9 MIDI, Noise Reduction, and Audio Compression Technologies
PART 2: HISTORY OF ELECTRONIC AND COMPUTER MUSIC
10 Earliest Experiments in Electronic Music (Pre-1920)
11 Electronic Music Performance Instruments (1920-1940)
12 The History of Audio Recording Technology
13 Edgard Varèse and The Listener’s Experiment
14 Musique Concrète In France
15 Elektronische Musik in Germany
16 Other European Electronic Music Studios
17 John Cage in the United States
18 The Columbia–Princeton Electronic Music Center, New York
19 The Cooperative Studio for Electronic Music, Ann Arbor
20 The Experimental Music Studio, University of Illinois
21 The San Francisco Tape Music Center
22 Electronic Music in Canada
23 Radiophonic Music in the United Kingdom
24 Electronic Music in Latin America
25 Electronic Music in Asia and Australia
26 Early Computer Music (1950-1969)
27 Computer Music (1970-1985)
PART 3: MAKERS OF VINTAGE ANALOG AND DIGITAL SYNTHESIZERS
28 Moog Analog Synthesizers
29 Buchla Analog Synthesizers
30 EMS Analog Synthesizers
31 ARP Analog Synthesizers
32 Other Analog Synthesizers
33 Digital Synthesizers and Samplers
PART 4: LIVE ELECTRONIC MUSIC AND CONTEMPORARY PRACTICES /34 Live Electronic Music — Foundations
35 Live Electronic Music — Historical Practices
36 Modern Turntablism
37 Contemporary Software and Synthesis
38 Eurorack
Appendix: Historic Studios of Electronic Music by World Region 1948-70
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