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The Artist in the Counterculture - Bruce Conner to Mike Kelley and Other Tales from the Edge (Hardcover)
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Discovery Miles 10 620
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The Artist in the Counterculture - Bruce Conner to Mike Kelley and Other Tales from the Edge (Hardcover)
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How California's counterculture of the 1960s to 1980s profoundly
shaped-and was shaped by-West Coast artists The 1960s exert a
special fascination in modern art. But most accounts miss the
defining impact of the period's youth culture, largely incubated in
California, on artists who came of age in that decade. As their
prime exemplar, Bruce Conner, reminisced, "I did everything that
everybody did in 1967 in the Haight-Ashbury. . . . I would take
peyote and walk out in the streets." And he vividly channeled those
experiences into his art, while making his mark on every facet of
the psychedelic movement-from the mountains of Mexico with Timothy
Leary to the rock ballrooms of San Francisco to the gilded excesses
of the New Hollywood. In The Artist in the Counterculture, Thomas
Crow tells the story of California art from the 1960s to the
1980s-some of the strongest being made anywhere at the time-and why
it cannot be understood apart from the new possibilities of
thinking and feeling unleashed by the rebels of the counterculture.
Crow reevaluates Conner and other key figures-from Catholic
activist Corita Kent to Black Panther Emory Douglas to ecological
witness Bonnie Ora Sherk-as part of a generational cohort
galvanized by resistance to war, racial oppression, and
environmental degradation. Younger practitioners of performance and
installation carried the mindset of rebellion into the 1970s and
1980s, as previously excluded artists of color moved to the
forefront in Los Angeles. Mike Kelley, their contemporary, remained
unwaveringly true to the late countercultural flowering he had
witnessed at the dawn of his career. The result is a major new
account of the counterculture's enduring influence on modern art.
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