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Books > Arts & Architecture > Art forms, treatments & subjects > Sculpture & other three-dimensional art forms > Sculpture

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Pygmalion's Power - Romanesque Sculpture, the Senses, and Religious Experience (Hardcover) Loot Price: R2,466
Discovery Miles 24 660
Pygmalion's Power - Romanesque Sculpture, the Senses, and Religious Experience (Hardcover): Thomas E.A. Dale

Pygmalion's Power - Romanesque Sculpture, the Senses, and Religious Experience (Hardcover)

Thomas E.A. Dale

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Loot Price R2,466 Discovery Miles 24 660 | Repayment Terms: R231 pm x 12*

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Pushed to the height of its illusionistic powers during the first centuries of the Roman Empire, sculpture was largely abandoned with the ascendancy of Christianity, as the apparent animation of the material image and practices associated with sculpture were considered both superstitious and idolatrous. In Pygmalion's Power, Thomas E. A. Dale argues that the reintroduction of architectural sculpture after a hiatus of some seven hundred years arose with the particular goal of engaging the senses in a Christian religious experience. Since the term "Romanesque" was coined in the nineteenth century, the reintroduction of stone sculpture around the mid-eleventh century has been explained as a revivalist phenomenon, one predicated on the desire to claim the authority of ancient Rome. In this study, Dale proposes an alternative theory. Covering a broad range of sculpture types-including autonomous cult statuary in wood and metal, funerary sculpture, architectural sculpture, and portraiture-Dale shows how the revitalized art form was part of a broader shift in emphasis toward spiritual embodiment and affective piety during the late eleventh and twelfth centuries. Adding fresh insight to scholarship on the Romanesque, Pygmalion's Power borrows from trends in cultural anthropology to demonstrate the power and potential of these sculptures to produce emotional effects that made them an important sensory part of the religious culture of the era.

General

Imprint: Pennsylvania State University Press
Country of origin: United States
Release date: October 2019
Authors: Thomas E.A. Dale (Professor of Art History)
Dimensions: 254 x 229 x 29mm (L x W x T)
Format: Hardcover - Sewn
Pages: 304
ISBN-13: 978-0-271-08345-2
Categories: Books > Arts & Architecture > History of art / art & design styles > 500 CE to 1400 > General
Books > Arts & Architecture > Art forms, treatments & subjects > Sculpture & other three-dimensional art forms > Sculpture
Books > Humanities > History > World history > 500 to 1500
Books > History > World history > 500 to 1500
LSN: 0-271-08345-X
Barcode: 9780271083452

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