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Pygmalion's Power - Romanesque Sculpture, the Senses, and Religious Experience (Hardcover)
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Pygmalion's Power - Romanesque Sculpture, the Senses, and Religious Experience (Hardcover)
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Pushed to the height of its illusionistic powers during the first
centuries of the Roman Empire, sculpture was largely abandoned with
the ascendancy of Christianity, as the apparent animation of the
material image and practices associated with sculpture were
considered both superstitious and idolatrous. In Pygmalion's Power,
Thomas E. A. Dale argues that the reintroduction of architectural
sculpture after a hiatus of some seven hundred years arose with the
particular goal of engaging the senses in a Christian religious
experience. Since the term "Romanesque" was coined in the
nineteenth century, the reintroduction of stone sculpture around
the mid-eleventh century has been explained as a revivalist
phenomenon, one predicated on the desire to claim the authority of
ancient Rome. In this study, Dale proposes an alternative theory.
Covering a broad range of sculpture types-including autonomous cult
statuary in wood and metal, funerary sculpture, architectural
sculpture, and portraiture-Dale shows how the revitalized art form
was part of a broader shift in emphasis toward spiritual embodiment
and affective piety during the late eleventh and twelfth centuries.
Adding fresh insight to scholarship on the Romanesque, Pygmalion's
Power borrows from trends in cultural anthropology to demonstrate
the power and potential of these sculptures to produce emotional
effects that made them an important sensory part of the religious
culture of the era.
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