The Colorado River Plateau is home to two of the best-known
landscapes in the world: Rainbow Bridge in southern Utah and
Monument Valley on the Utah-Arizona border. Twentieth-century
popular culture made these places icons of the American West, and
advertising continues to exploit their significance today. In
"Rainbow Bridge to Monument Valley," Thomas J. Harvey artfully
tells how Navajos and Anglo-Americans created fabrics of meaning
out of this stunning desert landscape, space that western novelist
Zane Grey called "the storehouse of unlived years," where a rugged,
more authentic life beckoned. Harvey explores the different ways in
which the two societies imbued the landscape with deep cultural
significance.
Navajos long ago incorporated Rainbow Bridge into the complex
origin story that embodies their religion and worldview. In the
early 1900s, archaeologists crossed paths with Grey in the Rainbow
Bridge area. Grey, credited with making the modern western novel
popular, sought freedom from the contemporary world and reimagined
the landscape for his own purposes. In the process, Harvey shows,
Grey erased most of the Navajo inhabitants. This view of the
landscape culminated in filmmaker John Ford's use of Monument
Valley as the setting for his epic mid-twentieth-century Westerns.
Harvey extends the story into the late twentieth century when
environmentalists sought to set aside Rainbow Bridge as a symbolic
remnant of nature untainted by modernization.
Tourists continue to flock to Monument Valley and Rainbow
Bridge, as they have for a century, but the landscapes are most
familiar today because of their appearances in advertising.
Monument Valley has been used to sell perfume, beer, and sport
utility vehicles. Encompassing the history of the Navajo,
archaeology, literature, film, environmentalism, and tourism,
"Rainbow Bridge to Monument Valley" explores how these rock
formations, Navajo sacred spaces still, have become embedded in the
modern identity of the American West--and of the nation itself.
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