Since its doomed maiden voyage in April 1912, the Titanic has
become a monumental icon of the twentieth century and has inspired
a wealth of interpretations across literature, art and media. This
book is the first to present a fully comprehensive discussion of
the diverse representations of the Titanic disaster in cinema,
history, literature and art. The distinguished contributors draw
out the connections as well as the differences in the way
generations of artists and audiences have approached and used the
tragedy and present an in-depth examination of its most recent
interpretation, James Cameron's blockbuster film "Titanic." The
book is both a valuable comparative text for media studies courses
and a good read for the broad Titanic market.
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