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The Advancement of Music in Enlightenment England - Benjamin Cooke and the Academy of Ancient Music (Hardcover)
Loot Price: R2,648
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The Advancement of Music in Enlightenment England - Benjamin Cooke and the Academy of Ancient Music (Hardcover)
Series: Music in Britain, 1600-2000
Expected to ship within 12 - 17 working days
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Casts new and valuable light on English musical history and on
Enlightenment culture more generally. This is a book guaranteed to
make waves. It skilfully weaves the story of one key musical figure
into the story of one key institution, which it then weaves into
the general story of music in eighteenth-century England. Anyone
reading it will come away with fresh knowledge and perceptions -
plus a great urge to hear Cooke's music.' Michael Talbot, Emeritus
Professor of Music at the University of Liverpool and Fellow of the
British Academy. Amidst the cosmopolitan, fashion obsessed concert
life of later eighteenth century London there existed a discrete
musical counterculture centred round a club known as the Academy of
Ancient Music. Now largely forgotten, this enlightened school of
musical thinkers sought to further music by proffering an
alternative vision based on a high minded intellectual curiosity.
Perceiving only ear-tickling ostentation in the showy styles that
delighted London audiences, they aspired to raise the status of
music as an art of profound expression, informed by its past and
founded on universal harmonic principles. Central to this group of
musical thinkers was the modest yet highly accomplished
musician-scholar Benjamin Cooke, who both embodied and reflected
this counterculture. As organist of Westminster Abbey and conductor
of the Academy of Ancient Music for much of the second half of the
eighteenth century, Cooke enjoyed prominence in his day as a
composer, organist, teacher, and theorist. This book shows how,
through his creativity, historicism and theorising, Cooke was
instrumental in proffering an Enlightenment-inspired reassessment
of musical composition and thinking at the Academy. The picture
portrayed counters the current tendency to dismiss
eighteenth-century English musicians as conservative and
provincial. Casting new and valuable light on English musical
history and on Enlightenment culture more generally, this book
reveals how the agenda for musical advancement shared by Cooke and
his Academy associates foreshadowed key developments that would
mould European music of the nineteenth century and after. It
includes an extensive bibliography, a detailed overview of the
Cooke Collection at the Royal College of Music and a complete list
of Cooke's works. TIM EGGINGTON is College Librarian at
Queens'College, Cambridge.
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