Books > Arts & Architecture > The arts: general issues
|
Buy Now
Fast Forward - The Aesthetics and Ideology of Speed in Russian Avant-garde Culture, 1910-1930 (Paperback)
Loot Price: R931
Discovery Miles 9 310
|
|
Fast Forward - The Aesthetics and Ideology of Speed in Russian Avant-garde Culture, 1910-1930 (Paperback)
Expected to ship within 12 - 17 working days
|
Life in the modernist era not only moved, it sped. As automobiles,
airplanes, and high-speed industrial machinery proliferated at the
turn of the twentieth century, a fascination with speed influenced
artists--from Moscow to Manhattan--working in a variety of media.
Russian avant-garde literary, visual, and cinematic artists were
among those striving to elevate the ordinary physical concept of
speed into a source of inspiration and generate new possibilities
for everyday existence.
Although modernism arrived somewhat late in Russia, the increased
tempo of life at the start of the twentieth century provided
Russia's avant-garde artists with an infusion of creative dynamism
and crucial momentum for revolutionary experimentation. In "Fast
Forward" Tim Harte presents a detailed examination of the images
and concepts of speed that permeated Russian modernist poetry,
visual arts, and cinema. His study illustrates how a wide variety
of experimental artistic tendencies of the day--such as "rayism" in
poetry and painting, the effort to create a "transrational"
language ("zaum"') in verse, and movements seemingly as divergent
as neo-primitivism and constructivism--all relied on notions of
speed or dynamism to create at least part of their effects.
"Fast Forward" reveals how the Russian avant-garde's race to
establish a new artistic and social reality over a twenty-year span
reflected an ambitious metaphysical vision that corresponded
closely to the nation's rapidly changing social parameters. The
embrace of speed after the 1917 Revolution, however, paradoxically
hastened the movement's demise. By the late 1920s, under a variety
of historical pressures, avant-garde artistic forms morphed into
those more compatible with the political agenda of the Russian
state. Experimentation became politically suspect and
abstractionism gave way to orthodox realism, ultimately ushering in
the socialist realism and aesthetic conformism of the Stalin years.
General
Imprint: |
University of Wisconsin Press
|
Country of origin: |
United States |
Release date: |
November 2009 |
First published: |
November 2009 |
Authors: |
Tim Harte
|
Dimensions: |
229 x 152 x 25mm (L x W x T) |
Format: |
Paperback
|
Pages: |
344 |
ISBN-13: |
978-0-299-23324-2 |
Categories: |
Books >
Arts & Architecture >
The arts: general issues >
General
|
LSN: |
0-299-23324-3 |
Barcode: |
9780299233242 |
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!
|
|
Email address subscribed successfully.
A activation email has been sent to you.
Please click the link in that email to activate your subscription.