Given Herzog's own pronouncement that 'film is not the art of
scholars, but of illiterates,' it is not surprising that his work
has aroused ambivalent and contradictory responses. Visually and
philosophically ambitious and at the same time provocatively
eccentric, Herzog's films have been greeted equally by extreme
adulation and extreme condemnation. Even as Herzog's rebellious
images have gained him a reputation as a master of the German New
Wave, he has been attacked for indulging in a romantic naivete and
wilful self-absorption. To his hardest critics, Herzog's films
appear as little more than Hollywood fantasies disguised as high
seriousness. This book is an attempt to illuminate these
contradictions. It gathers essays that focus from a variety of
angles on Herzog and his work. The contributors move beyond the
myths of Herzog to investigate the merits of his work and its place
in film history. A challenging range of films is covered, from Fata
Morgana and Aguirre, the Wrath of God to more recent features such
as Nosferatu and Where the Green Ants Dream, offering the reader
ways of understanding why, whatever the controversies surrounding
Herzog and his films, he remains a major and popular international
filmmaker. Orignally published in 1986.
General
Imprint: |
Routledge
|
Country of origin: |
United Kingdom |
Series: |
Routledge Library Editions: Cinema |
Release date: |
May 2016 |
First published: |
1986 |
Editors: |
Timothy Corrigan
|
Dimensions: |
234 x 156mm (L x W) |
Format: |
Paperback
|
Pages: |
248 |
ISBN-13: |
978-1-138-98924-5 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
General
|
LSN: |
1-138-98924-X |
Barcode: |
9781138989245 |
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