Written by international experts from a range of disciplines, these
essays examine the uniquely British contribution to science fiction
film and television. Viewing British SF as a cultural phenomenon
that challenges straightforward definitions of genre, nationhood,
authorship and media, the editors provide a conceptual introduction
placing the essays within their critical context. Essay topics
include the Hammer horrors of the 1950s, the various incarnations
of Doctor Who, Stanley Kubrick's A Clockwork Orange, and such
21st-century productions as 28 Days Later and Torchwood.
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