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Who Should Sing Ol' Man River? - The Lives of an American Song (Hardcover)
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Who Should Sing Ol' Man River? - The Lives of an American Song (Hardcover)
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In the mid 1920s, Jerome Kern and Oscar Hammerstein II wrote a song
called "Ol' Man River" that combined the seriousness of a Negro
spiritual with the crowd-pleasing power of a Broadway anthem.
Inspired, according to Kern, by the voice of the African American
singer Paul Robeson, "Ol' Man River" went on to great success in
the Broadway musical Show Boat and became a signature song for
Robeson, who turned the tune towards his own goals as an activist.
But the story of "Ol' Man River" goes deeper than the curiosity of
a song recorded by so many in so many different ways. For at the
heart of Oscar Hammerstein's lyric is a clear-eyed vision of the
black experience in American history. Anyone-black or white-who
thought they should sing "Ol' Man River" has had to deal with the
charged racial content of the song. Who Should Sing "Ol' Man
River"? traces this aspect of "Ol' Man River's" course through
American history, an at-times high-stakes journey where the African
American struggle for dignity and equality came down to the lyrics
of a popular song. However beyond Robeson and Show Boat, "Ol' Man
River" also had a long and rich life in the world of popular music.
An astonishing variety of singers and musicians from across the
musical spectrum-from pop to jazz, opera to doo wop, rhythm and
blues to gospel to reggae-all chose to perform or record it. Who
Should Sing "Ol' Man River"?: The Lives of an American Song traces
out the performance history of this remarkable song by listening
closely to over two hundred recorded and filmed versions dating
from the song's debut in 1927 to the present. Many famous pop
singers made "Ol' Man River" a signature song; among them Bing
Crosby, Frank Sinatra, and Judy Garland: white performers who took
up a lyric told from the black perspective. Important jazz artists
such as Bix Biederbecke, Duke Ellington, Dave Brubeck, Count Basie,
and Keith Jarrett all played it. Opera singers-black and white,
male and female-took it up as well. And a slew of surprising names
from the first decades of rock and roll also recorded this
inescapable tune, among them Sam Cooke, Ray Charles, Aretha
Franklin, the Temptations, Cher, and Rod Stewart.
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