New, specially commissioned essays on representative works of
19th-century German realism. This volume of new essays by leading
scholars treats a representative sampling of German realist prose
from the period 1848 to 1900, the period of its dominance of the
German literary landscape. It includes essays on familiar,
canonical authors -- Stifter, Freytag, Raabe, Fontane, Thomas Mann
-- and canonical texts, but also considers writers frequently
omitted from traditional literary histories, such as Luise
Muhlbach, Friedrich Spielhagen, Louise von Francois, Karl May, and
Eugenie Marlitt. The introduction situates German realism in the
context of both German literary history and of developments in
other European literatures, and surveys the most prominent critical
studies of ninteenth-century realism. The essays treat the
following topics: Stifter's Brigitta and the lesson of realism;
Muhlbach, Ranke, and the truth of historical fiction; regional
histories as national history in Freytag's DieAhnen; gender and
nation in Louise von Francois's historical fiction; theory,
reputation, and the career of Friedrich Spielhagen; Wilhelm Raabe
and the German colonial experience; the poetics of work in Freytag,
Stifter, andRaabe; Jewish identity in Berthold Auerbach's novels;
Eugenie Marlitt's narratives of virtuous desire; the appeal of Karl
May in the Wilhelmine Empire; Thomas Mann's portrayal of male-male
desire in his early short fiction; and Fontane's Effi Briest and
the end of realism. Contributors: Robert C. Holub, Brent O.
Petersen, Lynne Tatlock, Thomas C. Fox, Jeffrey L. Sammons, John
Pizer, Hans J. Rindisbacher, Irene S. Di Maio, Kirsten Belgum,Nina
Berman, Robert Tobin, Russell A. Berman. Todd Kontje is Professor
of German at the University of California, San Diego.
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