George Lewis, one of the great traditional jazz clarinetists, was
born in 1900 at about the same time that jazz itself first appeared
in New Orleans. And by the time he died, on the last day of 1968,
New Orleans jazz had pretty much run its course, too. By then a
jazz museum stood on Bourbon Street, and a cultural center was
under construction where Globe Hall had Stood. Lewis's life
thus paralleled that of New Orleans jazz, and in his later years
hew as the best known standard bearer of his city's music. He came
to the attention of the jazz world at the time of the so-called
"New Orleans Revival" of the 1940's, when veteran trumpeter Bunk
Johnson was recorded by a number of jazz enthusiasts, notably
William Russell. In this new biography, Tom Bethell
challenges a favorite myth of the history of jazz: that the music
became moribund in New Orleans after the legal red light district,
Storyville, was closed in 1917, resulting in most jazz musicians
going "up the river." In fact, Bethell shows, many more jazzmen
stayed in the city than left, and the musical style continued to
develop and grow. Thus the jazz fans who arrived in the city in the
early 1940's did not encounter a "revival" of an old style so much
as an ongoing tradition, with clarinetists like Lewis having been
influenced by Benny Goodman and the Swing Era in addition to
Lorenzo Tio and the Creole School. After Bunk Johnson's death
in 1949, at a time when many other social changes were beginning to
be felt in the city, the New Orleans jazz tradition began to go
into a decline. It became increasingly rigid and repetitive, and
was often designed to please what one observer called "Dixieland
fans yelling for their favorite members."Â The book is based
on lengthy research in New Orleans, including interviews with
George Lewis shortly before his death, and unpublished material
from the diaries kept by William Russell on his visits to New
Orleans between 1942 and 1949. It also includes a statement by
Lewis on jazz and the best way to play it and a complete Lewis
discography. This title is part of UC Press's Voices Revived
program, which commemorates University of California Press's
mission to seek out and cultivate the brightest minds and give them
voice, reach, and impact. Drawing on a backlist dating to 1893,
Voices Revived makes high-quality, peer-reviewed scholarship
accessible once again using print-on-demand technology. This title
was originally published in 1977.
General
| Imprint: |
University of California Press
|
| Country of origin: |
United States |
| Release date: |
April 2022 |
| First published: |
1977 |
| Authors: |
Tom Bethell
|
| Dimensions: |
216 x 140 x 23mm (L x W x T) |
| Format: |
Paperback
|
| Pages: |
398 |
| ISBN-13: |
978-0-520-30782-7 |
| Categories: |
Books
Promotions
|
| LSN: |
0-520-30782-8 |
| Barcode: |
9780520307827 |
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!