1939: fascism spreads across Europe, Franco marches on Barcelona
and two German chemists discover the processes of atomic fission.
In Berkeley, California, theoretical physicists recognise the
horrendous potential of this new science: a weapon that draws its
power from the very building blocks of the universe. Struggling to
cast off his radical past and thrust into a position of power and
authority, the charismatic J Robert Oppenheimer races to win the
'battle of the laboratories' and create a weapon so devastating
that it would bring about an end not just to the Second World War
but to all war. Tom Morton-Smith's new play takes us into the heart
of the Manhattan Project, revealing the personal cost of making
history.
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