for SSAA unaccompanied. Consisting of two sections, this
large-scale Christmas motet opens with a rich homophonic texture
that is synonymous with Victoria's compositions. This is followed
by imitation in the vocal lines before a triple-metre section of
resounding 'alleluia's. The secunda pars begins with new melodic
lines that are beautifully explored before a reprise of the music
from the prima pars. Offprinted from The Oxford Book of Upper-Voice
Polyphony.
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